Donovan, Frances: Was Terry Pratchett a Feminist?
by Frances Donovan | March 13, 2015
Terry Pratchett is one of the most prolific authors of our age. When he died yesterday (March 12, 2015) he left behind a massive oeuvre: more than 70 books, most of them about the Discworld, a flat planet carried on the back of four elephants who themselves stand back of the great turtle A’Tuin as it swims through space.
About a month ago I began re-reading Pratchett’s Discworld books. As I did so, this question kept roiling around in the back of my mind: Is Terry Pratchett a feminist? He most likely fielded that question during one of his many press appearances, but I’m more interested in exploring the question based solely on the basis of his books.
His earliest Discworld novels – The Colour of Magic and The Light Fantastic – don’t even pass the Bechdel Test. The few female characters consist mainly of damsels in distress and femmes fatales. But beginning with Equal Rites, Pratchett applies one of his great comedic tools – reversal – to the issue of gender.
The premise of the book itself rests on just such a reversal. A dying wizard seeks out the eighth son of an eighth son to inherit his magical powers. But he bequeaths his staff to the baby without realizing that she is a daughter, not a son. And thus begins the story of Eskarina, a girl who challenges the gendered nature of magic on the Discworld.
The midwife who delivers Eskarina is none other than Granny Weatherwax, a powerful and experienced witch and one of the most popular characters of the Discworld series. She’s dead set against Eskarina becoming a wizard.
“It’s the wrong kind of magic for women, is wizard magic, it’s all books and stars and jommetry. She’d never grasp it. Whoever heard of a female wizard?… “Witches is a different thing altogether… It’s magic out of the ground, not the sky, and men never could get the hang of it.”(1) ……………………………..
The rest of the article can be read at Gender Focus